7年級(jí)上冊(cè)英語(yǔ)作文
七年級(jí)是初中剛開(kāi)始的時(shí)候，也會(huì)最打發(fā)基礎(chǔ)的時(shí)候，英語(yǔ)單詞也是慢慢的積累，下面是學(xué)習(xí)啦小編給大家精心挑選的7年級(jí)上冊(cè)英語(yǔ)作文，希望大家喜歡!供你參考和閱讀!
7年級(jí)上冊(cè)英語(yǔ)作文篇1
The Duanwu Festival, is celebrated on the fifth day of the fifth month according to the Chinese calendar.People always eat rice dumplings and watch dragon boat races to celebrate it.
端午節(jié)是中國(guó)陰歷的五月五日。人們總是吃粽子和賽龍舟來(lái)慶祝它。
The festival is best known for its dragon-boat races,especially in the southern places where there are many rivers and lakes. It is very popular.
這個(gè)節(jié)日最出名的是龍舟賽，特別是在有著充足的河流和湖泊的南方。真的是很受歡迎的。
The rice dumpling is made of glutinous rice,meat and so on. You can eat different kinds of rice dumplings. They are very delicious.
這個(gè)粽子是用糯米和肉等做成的。你可以吃不同種類(lèi)的粽子。他們是非常美味的。
And Dragon Boat Festival is for Qu Yuan. He is an honest minister who is said to have committed suicide by drowning himself in a river.
端午節(jié)是為了紀(jì)念屈原。他是一個(gè)誠(chéng)實(shí)的大臣、在河里自殺把自己淹死了。
Overall, the Dragon Boat Festival is very interesting!
總的來(lái)說(shuō)，端午節(jié)是非常有趣的。
7年級(jí)上冊(cè)英語(yǔ)作文篇2
It is the duty of every citizen to honor the national flag. Why? Because the national flag is the symbol of a (the) country. To respect it means to respect the country. In other words, if a man loves his country, he must love the national flag.
尊敬國(guó)旗是每個(gè)公民的責(zé)任(義務(wù))。為什么?因?yàn)閲?guó)旗是國(guó)家的象征。尊敬它意思就是尊敬國(guó)家。換句話(huà)說(shuō)，如果一個(gè)人愛(ài)國(guó)，他必須愛(ài)國(guó)旗。
In school, the national flag is usually raised at a certain time every day. Then the principal, teachers, staff and students are to (must) stand before it and sing the national anthem. It is indeed extremely meaningful to attend such a ceremony.
在學(xué)校里，通常每天定時(shí)要升旗。那時(shí)，校長(zhǎng)，老師，教職員學(xué)生教師將恭敬地站在它前面并且唱國(guó)歌。參加此項(xiàng)儀式確實(shí)非常有意義。
7年級(jí)上冊(cè)英語(yǔ)作文篇3
The European idea of fashion as a personal statement rather than a cultural expression begins in the 16th century: ten portraits of German or Italian gentlemen may show ten entirely different hats. But the local culture still set the bounds, as Albrecht Dürer recorded in his actual or composite contrast of Nuremberg and Venetian fashions at the close of the 15th century (illustration, right).
歐洲時(shí)尚理念作為一個(gè)個(gè)人陳述，而不是一種文化表達(dá)開(kāi)始于16世紀(jì):十幅德國(guó)或者意大利紳士的肖像圖，可能會(huì)展示了十頂完全不同的帽子。但是當(dāng)?shù)匚幕匀皇侵饕膬?nèi)容，就像阿爾布雷希特·丟勒在15世紀(jì)末時(shí)，記錄他真實(shí)的和綜合的對(duì)紐倫堡和威尼斯時(shí)尚的比較。
Fashions among upper-class Europeans began to move in synchronicity in the 18th century; though colors and patterns of textiles changed from year to year, (Thornton), the cut of a gentleman’s coat and the length of his waistcoat, or the pattern to which a lady’s dress was cut changed more slowly. Men’s fashions derived from military models, and changes in a European male silhouette are galvanized in theatres of European war, where gentleman officers had opportunities to make notes of foreign styles: an example is the “Steinkirk” cravat (a necktie) (see Cravat). The pace of change picked up in the 1780s with the publication of French engravings that showed the latest Paris styles. By 1800, all Western Europeans were dressing alike: local variation became first a sign of provincial culture, and then a badge of the conservative peasant (James Laver; Fernand Braudel). Fashion in clothes has allowed wearers to express emotion or solidarity with other people for millennia.
在18世紀(jì)時(shí)尚在歐洲上流社會(huì)開(kāi)始朝前同步;雖然紡織品的顏色和圖案每年都在改變，(桑頓),裁切師切一個(gè)紳士的外衣和背心的長(zhǎng)度,一個(gè)女子服裝的樣式的裁剪、變更得更慢了。男人時(shí)尚來(lái)源于軍事模型、變化于劇院里刺激的歐洲男性輪廓，在那里軍官先生有機(jī)會(huì)去做筆記記錄外國(guó)風(fēng)格:例如，“司坦克圍巾”領(lǐng)帶(領(lǐng)帶)(領(lǐng)帶)。變化的步伐發(fā)生在1780年代最新的巴黎風(fēng)格的法國(guó)雕刻的出版。到1800年,所有西方歐洲人穿衣都相似:當(dāng)?shù)刈兓蔀榈谝粋€(gè)省級(jí)文化的標(biāo)志，然后就是保守農(nóng)民的一個(gè)徽章(James紫菜,布羅代爾)。時(shí)髦的衣著使穿著者表達(dá)情感或與他人團(tuán)結(jié)了幾千年。
Modern Westerners have a wide choice available in the selection of their clothes. What a person chooses to wear can reflect that person’s personality or llikes. When people who have cultural status start to wear new or different clothes a fashion trend may start. People who like or respect them may start to wear clothes of a similar style. Fashions may vary significantly within a society according to age, social class, generation, occupation and geography as well as over time. If, for example, an older person dresses according to the fashion of young people, he or she may look ridiculous in the eyes of both young and older people. The term “fashion victim” refers to someone who slavishly follows the current fashions (implementations of fashion).
現(xiàn)代西方人對(duì)于衣服有著廣泛的選擇。一個(gè)人要穿什么才能反映他的性格和愛(ài)好呢?當(dāng)一些有著文化地位的人開(kāi)始穿新的或不同的衣服時(shí)，可能就開(kāi)始新的時(shí)尚了。人們可能喜歡或尊重一個(gè)人可能是從他們相似的穿衣風(fēng)格開(kāi)始的。時(shí)尚可以隨著時(shí)間的推移根據(jù)社會(huì)中年齡、社會(huì)階層、輩分、職業(yè)和地理發(fā)生明顯的變化。例如,如果一個(gè)老年人根據(jù)年輕人的時(shí)尚來(lái)穿衣，不過(guò)是在老年人還是年輕人的眼里他或她都是很滑稽的。術(shù)語(yǔ)“時(shí)尚受害者”指的是那些盲目遵循當(dāng)前時(shí)尚(實(shí)現(xiàn)流行)的人。
One can regard the system of sporting various fashions as a fashion language incorporating various fashion statements using a grammar of fashion. (Compare some of the work of Roland Barthes.) Thornton, Peter. Baroque and Rococo Silks. This is an example list of some of the fads and trends of the 21st century: Capri pants, handbags, sport suits and sports jackets, ripped jeans, designer jeans, blazer jackets, and high-heeled shoes.
一個(gè)可以把各種體育時(shí)尚看作是一個(gè)合并各種時(shí)尚語(yǔ)句的時(shí)尚語(yǔ)言系統(tǒng)并使用時(shí)尚語(yǔ)法。(和羅蘭·巴而特的一些工作相比。)桑頓，彼得，巴洛克和洛可可絲綢。這些都是21世紀(jì)時(shí)尚和潮流的一些例子：緊身長(zhǎng)褲、手袋、運(yùn)動(dòng)套裝、運(yùn)動(dòng)夾克,牛仔褲,破洞的牛仔褲,夾克外套以及高跟鞋。
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