中英文翻譯文章閱讀
很多讀者都有閱讀英文文章的習(xí)慣，看英文文章，有利于提供英語的閱讀能力。下面就是學(xué)習(xí)啦小編給大家整理的中英文翻譯文章閱讀，希望大家喜歡。
中英文翻譯文章閱讀篇1：Life in a violin Case
琴匣子中的生趣
Alexander Bloch
亞歷山大·布洛克
In order to tell what I believe, I must briefly sketch something of my per-sonal history.
為了闡明我生活的信條，我必須簡單介紹一下我的經(jīng)歷。
The turning point of my life was my decision to give up a promising business career and studymusic. My parents, although sympathetic, and sharing my love of music, disapproved of it as aprofession. This was understandable in view of the family background. My grandfather hadtaughtmusic for nearly forty years at Springhill College in Mobile and, though much beloved andrespected in the community, earned barely enough to provide for his large family. My fatheroften said it was only the hardheaded thriftiness of my grandmother that kept the wolf at bay. As a consequence of this example in the family, the very mention of music as a professioncarried with it a picture of a precarious existence with uncertain financial rewards. My parentsinsisted upon college instead of a conservatory of music, and to college I went-quite happily,as I remember, for although Iloved my violin and spent most of my spare time practicing, I hadmany other interests.
我生活的轉(zhuǎn)折點是我決定不做發(fā)跡有望的商人而專攻音樂。我父母雖然同情我，也像我一樣熱愛音樂，卻反對我以音樂為職業(yè)?？紤]到我的家庭情況，他們的這種態(tài)度是完全可以理解的。我祖父在莫比爾的斯普林希爾學(xué)院教授音樂達(dá)40年之久，深受學(xué)院師生的熱愛和敬重，他的工資卻幾乎不夠維持一大家人的生活。父親常說若不是祖母精明能干，克勤克儉，一家人非挨餓不可。所以在我們家，只要一提起音樂這個行當(dāng)，大家就會想起那收入微薄、朝不保夕的苦日子。父母堅持要我上大學(xué)，不準(zhǔn)我進(jìn)音樂學(xué)院，我也就上了大學(xué)。我記得自己當(dāng)時還挺高興，因為雖然我熱愛小提琴，大部分課余時間都花在練琴上，但我還有許多其他的愛好。
Before my graduation from Columbia, the family met with severe financial reverses and I felt itmy duty to leave college and take a job. Thus was I launched upon a business career-which Ialways think of as the wasted years.
不等尊從哥倫比亞大學(xué)畢業(yè)，家庭經(jīng)濟(jì)嚴(yán)重惡化，我感到自己有責(zé)任退學(xué)找工作，就這樣我投身子商界——事后我每次想起這段經(jīng)歷都覺得是虛度了年華。
Now I do not for a moment mean to disparage business. My whole point is that it was not forme. I went into it for money, and aside from the satisfaction of being able to help the family,money is alll got out of it. It was not enough. I felt that life was passing me by. From beingmerely discontented I became acutely miserable. My one ambition was to save enough toquit and go to Europe to study music.I used to get up at dawn to practice before I left for"downtown," distracting my poor mother by bolting a hasty breakfast at the last minute.Instead of lunching with my business associates, I would seek out some cheap cafe, order ameager meal and scribble my harmony exercises. I continued to make money, and finally, bitby bit, accumulated enough to enable me to go abroad. The family being once more solvent,and my help no longer necessary, I resigned from my position and, feeling like a man releasedfrom jail, sailed for Europe. I stayed four years, worked harder than I had ever dreamed ofworking before and enjoyed every minute of it.
我從來無意貶低經(jīng)商，我的意思是它不適合我。我經(jīng)商只是為了掙錢。除了能補貼家用給我?guī)硪稽c滿足以外，我從這項職業(yè)得到的唯一東西就是錢。這是不夠的。我感到年華似水從我身邊流走。對職業(yè)的不滿使我痛苦不堪。我唯一的抱負(fù)就是積攢足夠的錢，然后改行，到歐洲去學(xué)音樂。于是，我天天黎明即起，練習(xí)小提琴，再去“商業(yè)區(qū)”上班，幾乎來不及囫圇吞下倉促準(zhǔn)備的早餐，搞得我可憐的媽媽惶恐不安。我不與商界同事共進(jìn)午餐，總愛找個便宜的餐館，隨便混上一頓，信手寫些和聲練習(xí)曲.。我不停地掙錢，終于，一分一分地攢夠了出國的錢。這時，家庭經(jīng)濟(jì)情況也好轉(zhuǎn)了，不再需要我的幫助。我辭去商務(wù)，感到自己像出獄的犯人一樣自由，乘船去了歐洲，一去就是四年。我學(xué)習(xí)要比從前想象的刻苦得多，然而生活得很快樂。
"Enjoyed" is too mild a word. I walked on air. I really lived. I was a freeman and I was doingwhat I loved to do and what I was meant to do.
“快樂”一詞還不足以表達(dá)我的心情。我是樂不可支，飄飄欲仙了。我過著真正的生活。我是個自由人，做我愛做的、命中注定要做的事情。
If I had stayed in business I might be a comparatively wealthy man today, but I do not believeI would have made a success of living. I would have given up all those intangibles, those innersatisfactions that money can never buy, and that are too often sacrificed when a man'sprimary goal is finanaal success.
假如我一直經(jīng)商，今天可能已經(jīng)成了一個相當(dāng)富有的人，但我認(rèn)為我那時的生活并沒有帶來成功;為了金錢我可能放棄了一切無形的東西，放棄了精神上的種種樂趣，那是金錢永遠(yuǎn)買不來的，一個人要是把獲取金錢當(dāng)做主要的奮斗目標(biāo)，他的精神樂趣就常常被犧牲了。
When I broke away from business it was against the advice of practically all my friends andfamily. So conditioned are most of us to the association of success with money that thethought of giving up a good salary for an idea seemed little short of insane. If so, all I can say is'Gee , it's great to be crazy."
我毅然脫離商業(yè)，幾乎違背了所有的親友的勸告。我們大多數(shù)人習(xí)慣把成功與金錢連在一起。那種為理想而放棄高薪的念頭簡直會被人認(rèn)為是瘋子的念頭。如果真是如此，我倒要說一聲：“咦!瘋子真了不起!”
Money is a wonderful thing, but it is possible to pay too high a price for it.
錢固然是好東西，但是為了錢而付出的代價往往太高昂了。
中英文翻譯文章閱讀篇2：Killer on Wings Is Under Threat
飛翔的殺手正受到威脅
Could anything be more majestic, serene or threatening than the largest bird of prey in theworld, the harpy eagle, soaring above its domain? Weighing nine kilograms and with a 2.2-metre wingspan, this giant of the .sky glides at 65 kilometres per hour over dense Brazilianrainforest. Its cruel head with flaring coloured crest and huge hooked beak twists constantlyfrom side to side.
有什么比世界上最大的食肉猛禽熱帶大雕在它的領(lǐng)地上方搏擊長空更加壯麗，更加安詳，又更具威脅性呢?體重九公斤，翼幅達(dá)2.2米的空中巨物在茂密的巴西雨林上空以每小時65公里的速度滑翔。它那長著展開的有色肉冠和巨大鉤狀鷹嘴的殘暴的腦袋木斷地向兩邊扭來扭去。
It spots a monkey in a treetop 2.5 kilometres away and zeroes in on its prey. The monkeymunches on, oblirious to the threat. Then the eagle strikes,plucking its prey from its perchwith talons bome on legs the thickness of your wrists. The monkey dies instantly, pierced bythe talons. The eagle carries the body back to its treetop lair. The famed and feared harpyeagle has killed again.
它發(fā)現(xiàn)了2.5公里之外樹梢上的一只猴子，就立即把注意力集中在這只獵物身上。猴子全然不知威脅的存在，仍在津津有味地咀嚼著。大雕發(fā)起了進(jìn)攻，用它的利爪將獵物從樹枝上一把抓了起來，那利爪長在與人的手腕一般粗的腿上。被利爪刺穿了的猴子剎時間一命嗚呼。大雕將其尸體帶回樹梢上的窩里。鼎鼎大名、令人生畏的熱帶大雕又殺生了。
Whether this frightening creature does indeed soar like other eagles in search of prey is opento conjecture . Forless is known about the harpy than any other eagle-the remoteness of itshabitat sees to that. But it has been seen carrying monkeys, sloth and even small deer back toits nest.
這嚇人的熱帶大雕捕食時是否真的和其他鷹類一樣翱翔還沒有定論，尚待猜測。人們對大雕的了解比對其他鷹類的了解都少——這是因為它的棲息地十分遙遠(yuǎn)而造成的，但確實見過它將猴子、樹獺甚至小鹿帶回巢中。
This eagle's extraordinary eyesight is one of its greatest assets. Like many other eagles, it cansee between four and eight times as much detail as canhumans. The result is an ability to seeclearly a smaU monkey at a distance of up to 2.5 kilometres and to judge distances withpinpoint accuracy . The latter is an obvious requirement if prey is to be snatched at speed.
大雕非凡的視力是其最大的優(yōu)勢之一。和許多其他鷹類一樣，它看清細(xì)節(jié)的能力比人類要強四至八倍。這樣它就能夠看清兩點五公里以外的一只小猴子，并能極精確地判定距離，若想快速抓獲獵物，準(zhǔn)確判斷距離很明顯是必需的。
It's hard to believe that a creature so well equipped to survive could- ever find itself underthreat. But with huge tracts of rainforest being felled in Centraland South America, the harpy'sfood sources are harder to find.
令人難以置信的是生存條件如此優(yōu)越的生物竟然也會處于威脅之中，但隨著中、南美洲大片熱帶雨林的被砍伐，大雕的食物來源更為困難。
The threat posed could soon be similar to that facing the harpy's near relative, the Philippinesmonkey-eating eagle. This acutely threatened bird was reduced in numbers to fewer than 100in the wild by the loss of its forest habitat and by the heavy demands of trophy hunters in thePhilippines.
不久，這種威脅就會和熱帶大雕的近親——菲律賓食猴鷹所面臨的威脅相似了。由于森林棲息地的喪失和菲律賓獵手的大量捕殺，這種受到嚴(yán)重威脅的鳥類的野外數(shù)量已減少到不足100只。
Like its Filipino cousm, the harpy eagle nests in the tops of the largest forest trees. It thereforeneeds an intact forest to breed. The seemingly invinable harpy is vulnerable for anotherreason. A mating pair is thought to produce only one eaglet every two years. Harpy eggs takeup to 60 days to hatch and chicks take a further 60 days before they learn to fly. What ismore, the youngster is fed by the parents for many months after it has learned to fly. Annualbreeding then is impossible.
和它的菲律賓同伴一樣，熱帶大雕把巢筑在最大的樹頂上。因此，它的繁殖需要一個保持完好的森林環(huán)境。似乎不可戰(zhàn)勝的熱帶大雕易受傷害還有一個原因。據(jù)信，一對交配的大雕每兩年才能生下一個雛雕。雕蛋的孵化需要60天，雛雕學(xué)飛之前還需60天。而且，雛雕學(xué)會飛行之后還需父母喂養(yǎng)多月。因而，大雕不可能每年繁殖。
Folklore has long held that the harpy eagle preys on human babies as well as forest animals. Tothe ancient Mayans of CentralAmerica the bird was Moan,a bird of ill omen and death. The harpyfrom which the eagle derives its name was a mythical wreaker of vengeance. Yet there is noevidence, according to British naturalist Leslie Brown, that children have ever been taken bythe harpy.
民間傳說里，一直認(rèn)為熱帶大雕既捕食森林動物，也捕食嬰兒。對中美洲的古代瑪雅人來說，熱帶大雕就是Moan，一種帶來不祥和死亡的鳥。鷹的名字來自哈比( Harpy)，神話中的一個復(fù)仇者。然而，按照英國博物學(xué)家萊斯利·布朗的說法，還沒有證據(jù)表明大雕曾經(jīng)掠走過小孩。
But the Anglia Television Company fflm crew from England that compiled a televisiondocumentary titled Fury of the Forest can vouch for the harpy's ferociousness when its nest isthreatened. One camera team was attacked when filming a pair of harpys mating and nesting.
但制作電視紀(jì)錄片《森林的憤怒》的英國英吉利電視公司的拍攝人員可以證明：熱帶大雕，在它的巢穴受到威脅時，是無比兇暴的。一個攝制組在拍攝一對大雕交配和筑巢時受到了它們的襲擊。
The harpy eagle does not face the same immediate threat as its Filipino cousin. But if thedestruction of its forest habitat continues at its present rate, the largest of avian predators,too, could join those birds already on the endangered species list. Leslie Brown wrote in 1976that nearly half of the 59 species of eagle were under threat. Those who appreciate naturewill be hoping that the harpy can surmount this threat, to soar on over the forests of SouthAmerica.
中英文翻譯文章閱讀篇3：Integrity
正直
-From A Mother in Mannville
——節(jié)選自《媽媽住在曼菲爾》
M.K.Rawlings
M.K.羅林茲
The Orphanage is high in the Carolina mountains. Sometimes in winter the snowdrifts are sodeep that the institution is cut off from the village below,from all the world. Fog hides themountain peaks, the snow swirls down the valleys, and a wind blows so bitterly that theorphanage boys who take the milk twice daily to the baby cottage reach the door with fingersstiff in anagony of numbness.
在卡羅來納的山地里，有一座孤兒院坐落在高處。隆冬時節(jié)，風(fēng)雪交加，有時候積雪堆得老高，將孤兒院與山下的村莊乃至整個外界完全隔斷。云霧遮蔽了重重峰巒，雪花飛旋著沖人山谷。在呼嘯的寒風(fēng)中，孤兒院的男孩們將一份份牛奶端到育嬰房去，一天得跑兩趟呢。當(dāng)他們走到育嬰房門口的時候，手指凍得僵硬，一點兒都不聽使喚了。
I was there in the autumn. I wanted quiet, isolation, to do some troublesome writing. I wantedmountain air to blow out the malaria from too long a time in the subtropics. I was homesick,too, for the flaming of maples in October,and for corn shocks and pumpkins and black-walnuttrees and the lift of hills. I found them all, living in a cabin that belonged to the orphanage, halfa mile beyond the orphanage farm. When I took the cabin, I asked for a boyor man to comeand chop wood for the fireplace. The first few days were warm, I found what wood I neededabout the cabin, no one came, and Iforgot the order.
我秋天就到了那里。我需要安靜，與世隔絕，好從事艱辛的創(chuàng)作。我需要山里的清風(fēng)，把久居亞熱帶地區(qū)染上的瘧疾吹散。我還想起家來，老惦著那十月間的楓葉似火，那一垛垛玉米秫秸，南瓜成堆，黑胡桃林子，還有隆起的山丘。我住在孤兒院的一間小屋里，距院農(nóng)場有半英里，這一切盡收眼底。我住進(jìn)去的時候，要求派個男孩或者男人幫我劈柴燒壁爐。頭幾天還算暖和，我在小屋的四周撿了點木柴，沒見人來，也就把這話給忘了。
I looked up from my typewriter one late afternoon, a little startled. A boystood at the door,and my pointer dog, my companion, was at his side and had not barked to warn me. The boywas probably twelve years old, but undersized. He wore overalls and a torn shirt, and wasbarefooted.
一天傍晚，我正在打字，猛抬頭不禁吃了一驚：有個男孩站在房門口，而跟我做伴的獵狗竟在他身邊默默呆著，連個招呼也沒跟我打一聲。這孩子大概有12歲，不過個子沒那么大，他穿著一條工裝褲，一件破舊的襯衣，光著兩腳。
He said, "I can chop some wood today."
他說：“我今天可以劈點兒木柴。”
I said, "But I have a boy coming from the orphanage."
我說：“可我請了孤兒院的孩子來劈。”
"I'm the boy."
“我就是。”
"You? But you're small."
“是你?可你還小呢。”
"Size don't matter, chopping wood," he said. "Some of the big boys don't chop good. I've beenchopping wood at the orphanage a long time."
“劈柴火可不論個頭兒，”他說，“有的大孩子還劈不好呢。我在孤兒院劈了好長一陣了。”
I visualized mangled and inadequate branches for my fires. I was well into my work and notinclined to conversation. I was a little blunt."Very well. There's the ax. Go ahead and see whatyou can do."
我想象中出現(xiàn)了砍得亂七八糟的樹枝子，供不上壁爐燒的。我一心在寫作，沒有心思搭理他，話也說得有點生硬：“好了好了，去拿斧子吧。先劈劈再看吧。”
I went back to work,closing the door. At first the sound of the boy dragging brush annoyedme. Then he began to chop. The blows were rhythmic and steady, and shortly I had forgottenhim, the sound no more of an interruption than a consistent rain. I suppose an hour and ahalf passed, for when I stopped and stretched, and heard the boy's steps on the cabin stoop,the sun was dropping behind the farthest mountain, and the valleys were purplewith somethingdeeper than the asters.
我關(guān)上門，繼續(xù)寫作。起先聽他拽木頭，鬧得我心煩。后來他動手劈柴了。他劈得錯落有致，不緊不慢，我很快就把他忘了，那斧聲就跟一場綿綿細(xì)雨似的對我全無干擾。我估計他劈了有一個半小時吧，因為這時我歇下來舒展一下身子，聽見他正走上門口的臺階，夕陽已漸漸沉沒在遠(yuǎn)山的背后，壑谷間一片紫靄，顏色比翠菊還濃。
The boy said, "I have to go to supper now. I can come again tomorrow evening."
這孩子說道：“我得去吃晚飯了。我明晚再來。”
I said, "I'll pay you now for what you've done," thinking I should probably have to insist on anolder boy. "Ten cents an hour'?"
我說：“我這就把你的工錢結(jié)了吧，”心想恐怕還得換個大孩子來，“一小時算一毛?”
"Anything is all right."
“怎么都行。”
We went together back of the cabin. An astonishing amount of solid wood had been cut. Therewere cherry logs and heavy roots of rhododendron, and blocks from the waste pine and oakleft from the building of the cabin.
我們一起來到屋后。只見滿地都是劈好了的結(jié)結(jié)實實的木柴，簡直令人咂舌。其中有櫻桃樹的圓木干和杜鵑灌木的粗根，就連蓋小屋剩下的廢松木和廢櫟木，也都劈成了大塊的木柴。
"But you've done as much as a man," I said. "This is a splendid pile."
“你可是跟大人劈得一樣多了，”我說，“瞧這么大一堆，太好了。”
I looked at him, actually, for the first time. His hair was the color of the corn shocks, and hiseyes, very direct, were like the mountain sky when rain is pending-gray, with a shadowing ofthat miraculous blue. As I spoke a light came over him, as though the setting sun hadtouched him with the same suffused glory with which it touched the mountains. I gave him aquarter.
我端詳著他，說真的，這還是頭一回。他的頭發(fā)呈玉米秫秸的顏色，兩眼里一片率真，像是山雨欲來的天空——灰暗中透出那奇異的天藍(lán)。我正說著，忽見他周身一片光亮，仿佛落日那灑滿群山的余輝也灑到了他身上。我給了他一枚兩角五分的硬幣。
"You may come tomorrow," I said, "and thank you very much."He looked at me, and at the coin,and seemed to want to speak, but could not, and turned away.
“你明天來吧，”我說，“多謝你了。”他看看我，又看看硬幣，好像要說什么，可又說不出來，就轉(zhuǎn)身離去。
"I'll split kindling tomorrow," he said over his thin ragged shoulder. "You'llneed kindling andmedium wood and logs and backlogs."
“明天我劈引火柴，”他回過頭來又說，襯衣的肩部都磨薄磨破了，“點火柴，引火柴，原木，墊底的，你都用得著。”
At daylight I was half wakened by the sound of chopping. Again it was so even in texture that Iwent back to sleep. When I left my bed in the cool morning, the boy had come and gone, and astack of kindling was neat against the cabin wall. He came again after school in the afternoonand worked until time to return to the orphanage. His name was Jerry; he was twelve years old,and he had been at the orphanage since he was four. I could picture him at four, with the samegrave gray-blue eyes and the same-independence? No, the word that comes to me is"integrity."
第二天黎明時分，一陣劈柴聲攪得我似醒非醒。那拍子依然不緊不慢，又把我?guī)Щ貕羿l(xiāng)。我早上起床，天很涼，這孩子來過又走了，只見一堆引火柴整整齊齊碼在墻邊。他下午放學(xué)后又來了，一口氣干到該回孤兒院了才歇手。他叫杰里，12歲了，從四歲起就呆在孤兒院。我可以想象他四歲的樣子，也是這雙鄭重其事的灰藍(lán)色眼睛，也是這份自立?不，我想到的詞兒是“正直”。
The word means something very special to me, and the quality for which I use it is a rare one.My father had it-there is another of whom I am almost sure-but almost no man of myacquaintance possesses it with the clarity,the purity, the simplicity of a mountain stream.But the boy Jerry had it. It is bedded-on courage, but it is more than brave. It is honest, but itis more than honesty. The ax handle broke one day. Jerry said the woodshop at theorphanage would repair it. I brought money to pay for the job and he refused it.
這個詞對我有特殊的含義，我用它來說明一種難得的品格。我父親就有這種品格——我相信還有別人，但是在我的相識中幾乎沒有一個人像一泓山泉那般清澈、純潔和樸素地具備這種品格。然而杰里這孩子就有。他的正直植根于勇氣，但又超出勇敢。它是誠實，但又超出誠實。有一天，斧把斷了。杰里說孤兒院的木工房給修。我掏出修理費，他不肯收。
"I'll pay for it," he said. "I broke it. I brought the ax down careless."
“這錢該我出，”他說，“我弄斷的。我砍得不小心。”
"But no one hits accurately every time," I told him. "The fault was in the wood of the handle.I'll see the man from whom I bought it.
“可誰都有個閃失的時候，”我對他說，“都怪木把不結(jié)實。我找賣斧子的去。”
"It was only then that he would take the money. He was standing back of his own carelessness. He was a free-will agent and he chose to do careful work, and if he failed, he took theresponsibility without subterfuge.
他這才肯把錢收下。他對自己的疏忽毫不遮掩。他是個自有主意的人，干活就要認(rèn)真干好，沒干好，他就承擔(dān)責(zé)任，決不借故推諉。
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