夏商時期，烏鎮(zhèn)屬百越地。春秋時期，烏鎮(zhèn)是吳越邊境，吳國在此駐兵以防備越國，史稱"烏戍"。接下來是小編為大家整理的關(guān)于烏鎮(zhèn)英語導游詞，方便大家閱讀與鑒賞!

烏鎮(zhèn)英語導游詞1

The old wooden shops of Wuzhen look ageleand immovable, as though their timbers have totally defied the ravages of time. At first, one suspects that the custodians of the town have tried to cover up the decomposing processes of nature. But look more closely and you find slow rot setting in around the bases of the doorframes, and splinters breaking away from the lintels. What little restoration has been done is so inconspicuous as to be totally indistinguishable from the original.

All the buildings in Wuzhen are in Ming or Qing Dynasty style. One palatial establishment is the "Double Happiness" Marriage Shrine. Twin hearts are joined in a nouveau-Chinese character in gilt upon a flaming crimson background, presumably depicting the inseparability of marriage - perhaps the Chinese know something that we Westerners dont.

Wuzhen also has some unique attractions, including Yu Liuliangs Coin and Paper Money Exhibition. Nearby (would you believe) stands a Pawnshop Museum, as if to prove that usury is universal. (Maybe fortunately, Wuzhen has the only such establishment Ive ever come across). I tried looking for a Qing Dynasty DVD player in the pawnshop, but was sadly disappointed.

No fewer than eight stone bridges crothe Dong Shi River, the grandest of them being the Fengyuan Double Bridge. The bridge is separated into two parts by a wooden sluice gate. Cyclists carry their bikes acrothe high arches of the bridges, which are designed to let boats paunderneath without difficulty.

Back in the main square, the elders are still hanging out. On the village stage, a performance of Peking Opera is underway. Acrothe square, a master puppeteer entertains visitors with a shadow-play of the type known in Java as wayang kulit. But while the Javanese version of shadow puppetry is subtle and refined, the Wuzhen style has the protagonists attacking each other with the ferocity of tigers.

烏鎮(zhèn)英語導游詞2

Shanxi, to the ground relics of the HSBC, said underground energy masterpiece. Today, he ordered a large number of traditional houses to discover the art of architecture and worldwide attention. These exquisite incomparable and the House of intact, to their eternal truth, we look forward to the civilization of Interpretation interpretation, we look forward to the glorious history of the interpretation of Shanxi.

The wisdom of the Chinese nation and hardworking spirit, and created a towering wall, the solemn palaces, beautiful gardens, but also created a variety of House of. These have their own unique House of fresh life. Zheng Xiaoxie famous architectural experts said, "Beijing is the National Palace Museum, a terracotta warriors and horses in Xi'an, Qixian County has 1,000 homes." China's historical and cultural city - Qixian County residents, Set Song, Yuan, Ming and Qing of the French, the Department of the Hebei Jiangnan Dacheng, the most famous of which is Courtyard of Family Qiao.

Courtyard of Family Qiao in Qixian County in Shanxi Province QIAO Jia, south of Taiyuan, 54 km,East of the town just two kilometers. Also known as the central scroll it is the Qing Dynasty famous commercial finance capitalists Qiao Yong attended by the . , Was built in the Qing Dynasty Emperor Qianlong years, the future has been amended twice, the first extension, through the continuous efforts of several generations of people in the Early Republic of China into a magnificent architectural groups, and a concentrated expression of the Qing Dynasty in China's unique style residential areas north .

The compound closed for the whole of the castle-building complex covering 10,642 (about 16 acres) square meters, the construction area 4,175 square meters, at 6 compound, 20 small courtyard, 313 housing. Compound III faced Street, not connected with the surrounding residential areas. Door sit West Chaodong, on the top floor of a tall, middle-City openings Road, opposite the door is brick map. The door to, is a things to the bust, the bust of a parapet wall on both sides of the Taiwan Wai, the bust of the end of the ancestors is the ancestral hall, and the door distant relative, as imperial court structure. The three northern compound, the canopies are Wuhu gallery door, dark-dark lattice, three bays, palanquin acceto more than enough, the doors have suppository lateral Ma-chu and launched stones, a few from the East to West, followed by the home, Northwest Center, study centers. Fabrics are all being biased structure of the compound, the hospital owner is living, is partial hospital rooms and living rooms Zaofang servants. Construction on the relatively low partial hospital, the roof structure is very different, both for tile-roofed house is a hospital canopies, partial hospital for shop roof cottage is both an expression of the ethics of hierarchy, orderly, also showed that the Building a higher level flu. There are four main building of the compound, the gatehouse, more floor balconies Court 6. The roof of a walkway the same hospital, nursing homes Patrol easy night.

Looking at the whole hospital layout stringent design sophistication, overlooking a "Hi Hi" shaped, construction known, brick adjustments, and Seiko doing fine, brackets eaves, multicolored decorations of the equipment, brick carvings, crafts superb, and fully demonstrated China superb working people the construction process, experts and scholars reputation of being: "the history of the North Vernacular Architecture a shining pearl", it has been called "a Royal Palace, the house of QIAO Jia," said famous Interpretation,at home and abroad.

烏鎮(zhèn)英語導游詞3

Wuzhen lies in the far north-east of Zhejiang province, about 90 minutes by road from Shanghai. The name "water town" is especially apt; besides lying on the Grand Canal, the settlement is completely encircled by two rivers - the Dong Shi and a smaller tributary, which meet at a T-junction. No matter where you stand, water provides the backdrop, the raison d''錨tre of the whole town.

About 250 families used to live in the old quarter of Wuzhen. However, following the "restoration" of the town, many townsfolk have been moved out to the "new" Wuzhen, an attractively landscaped but otherwise characterleapartment block 15 km down the road towards Shanghai. Those who remain are mainly the elderly and craftspeople. While I was assured that there is nothing to stop new residents moving into the old town, young people nowadays seem strangely absent.

The old wooden shops of Wuzhen look ageleand immovable, as though their timbers have totally defied the ravages of time. At first, one suspects that the custodians of the town have tried to cover up the decomposing processes of nature. But look more closely and you find slow rot setting in around the bases of the doorframes, and splinters breaking away from the lintels. What little restoration has been done is so inconspicuous as to be totally indistinguishable from the original.

All the buildings in Wuzhen are in Ming or Qing Dynasty style. One palatial establishment is the "Double Happiness" Marriage Shrine. Twin hearts are joined in a nouveau-Chinese character in gilt upon a flaming crimson background, presumably depicting the inseparability of marriage - perhaps the Chinese know something that we Westerners don''t.

Wuzhen also has some unique attractions, including Yu Liuliang''s Coin and Paper Money Exhibition. Nearby (would you believe) stands a Pawnshop Museum, as if to prove that usury is universal. (Maybe fortunately, Wuzhen has the only such establishment I''ve ever come across). I tried looking for a Qing Dynasty DVD player in the pawnshop, but was sadly disappointed.

No fewer than eight stone bridges crothe Dong Shi River, the grandest of them being the Fengyuan Double Bridge. The bridge is separated into two parts by a wooden sluice gate. Cyclists carry their bikes acrothe high arches of the bridges, which are designed to let boats paunderneath without difficulty.

Back in the main square, the elders are still hanging out. On the village stage, a performance of Peking Opera is underway. Acrothe square, a master puppeteer entertains visitors with a shadow-play of the type known in Java as wayang kulit. But while the Javanese version of shadow puppetry is subtle and refined, the Wuzhen style has the protagonists attacking each other with the ferocity of tigers.

Whether by accident or design, this town seems to have been dropped into its watery setting by a master town planner from another galaxy. A more perfect location for a settlement would be difficult to find. It is fervently to be hoped that tourism will augment rather than destroy the unique ambiance of Wuzhen.

烏鎮(zhèn)英語導游詞4

James Hilton located "Shangri-La" in a mysterious valley which was surrounded by snowcapped mountains; near where there were snow-clad peaks, blue lakes, broad grassy marshlands, and lamaseries, Buddhist nunneries, mosques, Catholic Church, the human beings and the nature were in perfect harmony, several religions and varies of nationalities exited at the same time; the temples looked splendid in green and golden; though people contacted the outer world by caravan for a long time, many foreign experts and scholars had come here to investigate and remained much relics……

The Dripping Water Cave, about 3 km northwest of the village, is a very popular destination, possibly because of the fact that Mao allegedly spent 11 days here in the early days of the Cultural Revolution Years (1966-76), contemplating the unknown.

Wuzhen lies in the far north-east of Zhejiang province, about 90 minutes by road from Shanghai. The name "water town" is especially apt; besides lying on the Grand Canal, the settlement is completely encircled by two rivers - the Dong Shi and a smaller tributary, which meet at a T-junction. No matter where you stand, water provides the backdrop, the raison d''錨tre of the whole town.

About 250 families used to live in the old quarter of Wuzhen. However, following the "restoration" of the town, many townsfolk have been moved out to the "new" Wuzhen, an attractively landscaped but otherwise characterleapartment block 15 km down the road towards Shanghai. Those who remain are mainly the elderly and craftspeople. While I was assured that there is nothing to stop new residents moving into the old town, young people nowadays seem strangely absent.

The old wooden shops of Wuzhen look ageleand immovable, as though their timbers have totally defied the ravages of time. At first, one suspects that the custodians of the town have tried to cover up the decomposing processes of nature. But look more closely and you find slow rot setting in around the bases of the doorframes, and splinters breaking away from the lintels. What little restoration has been done is so inconspicuous as to be totally indistinguishable from the original.

All the buildings in Wuzhen are in Ming or Qing Dynasty style. One palatial establishment is the "Double Happiness" Marriage Shrine. Twin hearts are joined in a nouveau-Chinese character in gilt upon a flaming crimson background, presumably depicting the inseparability of marriage - perhaps the Chinese know something that we Westerners don''t.

Wuzhen also has some unique attractions, including Yu Liuliang''s Coin and Paper Money Exhibition. Nearby (would you believe) stands a Pawnshop Museum, as if to prove that usury is universal. (Maybe fortunately, Wuzhen has the only such establishment I''ve ever come across). I tried looking for a Qing Dynasty DVD player in the pawnshop, but was sadly disappointed.

No fewer than eight stone bridges crothe Dong Shi River, the grandest of them being the Fengyuan Double Bridge. The bridge is separated into two parts by a wooden sluice gate. Cyclists carry their bikes acrothe high arches of the bridges, which are designed to let boats paunderneath without difficulty.

Back in the main square, the elders are still hanging out. On the village stage, a performance of Peking Opera is underway. Acrothe square, a master puppeteer entertains visitors with a shadow-play of the type known in Java as wayang kulit. But while the Javanese version of shadow puppetry is subtle and refined, the Wuzhen style has the protagonists attacking each other with the ferocity of tigers.

Because of you, I feel the life is wonderful. Meeting with you is really a good thing. At last, I have only a sentence want to say——My dear friend, thank you.

Now we’resetting foot on Hunlunbeier Grassland. All of us have escaped from the city and its clamour and entered a place like a dreamland,Look! The grassland looks like asoft, green cerpet, Nowyou can enjoy the beautiful scenery in the distance; numeros kinds of wild flowers are in bloom, and wisps of smoke are rising continuously from the yurta scattered on the grassland. When the gentle breeze brushes against the grass, herds of horses and cattle and flock of sheep seem to be drifting from here ro there. What a beautiful picture!

Whether by accident or design, this town seems to have been dropped into its watery setting by a master town planner from another galaxy. A more perfect location for a settlement would be difficult to find. It is fervently to be hoped that tourism will augment rather than destroy the unique ambiance of Wuzhen.

No.3 Pit covers an area of 520m2 with only four horses, one chariot and 68 warriors, supposed to be the command post of the battle formation. Now, No.2 and 3 Pits have been refilled, but visitors can see some clay figures and weapons displayed in the exhibition halls in the museum that had been unearthed from these two pits. The floors of both No.1 and 2 Pits were covered with a layer of silt of 15 to 20cm thick. In these pits, one can see traces of burnt beams everywhere, some relics which were mostly broken. Analysis shows that the pits were burned down by Xiang Yu, leader of a peasant army. All of the clay warriors in the three pits held real weapons in their hands and face east, showing Emperor Qin Shihuang’s strong determination of wiping out the six states and unifying the whole country.

烏鎮(zhèn)英語導游詞5

In the tranquil little village of Wuzhen, the light hangs over the Dong Shi River in a soft summer pallour, as though the clouds are making a deliberate effort to protect the residents from sunburn. Along the river, a select group of day-trippers enjoy a cruise aboard a pole-steered barge. Im highly privileged to be visiting the very last of Chinas ancient water towns to be opened to visitors. When the authorities opened the 1,300 year old riverine settlement of Wuzhen to visitors in early 2001, they were determined to avoid the tacky mix of tourist restaurants and kitsch souvenir shops that has swamped other estuary towns such as Zhouzhuang (which also lies in the Yangtze River delta). Wuzhens old buildings, an architectural symphony of stone, wood and tiles, have been preserved rather than restored, and lovingly maintained rather than tarted up. The result is a place that is a sheer joy to explore on foot. Wuzhen is still a living town, where daily life goes on life goes on as it has for the last thousand or so years. Coppersmiths, wood-carver and silk-spinners work at their age-old crafts. Bicycle rickshaw drivers exchange stories as they wait for passengers. People cart water, cook meals, and tend their gardens, each flower-plot the size of a postage stamp. The townsfolk of Wuzhen gather in the town square around mid-day - talking, smoking or playing mah-jongg. They seem laidback and contented. Most of all, they seem to enjoy observing the passing parade, which provides a constant source of amusement. I started to wonder whether it was the town or the strange foreign visitors like myself that was the main attraction. Western visitors are still a rarity here. Wuzhen lies in the far north-east of Zhejiang province, about 90 minutes by road from Shanghai. The name water town is especially apt; besides lying on the Grand Canal, the settlement is completely encircled by two rivers - the Dong Shi and a smaller tributary, which meet at a T-junction. No matter where you stand, water provides the backdrop, the raison dêtre of the whole town. About 250 families used to live in the old quarter of Wuzhen. However, following the restoration of the town, many townsfolk have been moved out to the new Wuzhen, an attractively landscaped but otherwise characterless apartment block 15 km down the road towards Shanghai. Those who remain are mainly the elderly and craftspeople. While I was assured that there is nothing to stop new residents moving into the old town, young people nowadays seem strangely absent. 1 The old wooden shops of Wuzhen look ageless and immovable, as though their timbers have totally defied the ravages of time. At first, one suspects that the custodians of the town have tried to cover up the decomposing processes of nature. But look more closely and you find slow rot setting in around the bases of the doorframes, and splinters breaking away from the lintels. What little restoration has been done is so inconspicuous as to be totally indistinguishable from the original. All the buildings in Wuzhen are in Ming or Qing Dynasty style. One palatial establishment is the Double Happiness Marriage Shrine. Twin hearts are joined in a nouveau-Chinese character in gilt upon a flaming crimson background, presumably depicting the inseparability of marriage - perhaps the Chinese know something that we Westerners dont. Wuzhen also has some unique attractions, including Yu Liuliangs Coin and Paper Money Exhibition. Nearby (would you believe) stands a Pawnshop Museum, as if to prove that usury is universal. (Maybe fortunately, Wuzhen has the only such establishment Ive ever come across). I tried looking for a Qing Dynasty DVD player in the pawnshop, but was sadly disappointed. No fewer than eight stone bridges cross the Dong Shi River, the grandest of them being the Fengyuan Double Bridge. The bridge is separated into two parts by a wooden sluice gate. Cyclists carry their bikes across the high arches of the bridges, which are designed to let boats pass underneath without difficulty. Back in the main square, the elders are still hanging out. On the village stage, a performance of Peking Opera is underway. Across the square, a master puppeteer entertains visitors with a shadow-play of the type known in Java as wayang kulit. But while the Javanese version of shadow puppetry is subtle and refined, the Wuzhen style has the protagonists attacking each other with the ferocity of tigers. Whether by accident or design, this town seems to have been dropped into its watery setting by a master town planner from another galaxy. A more perfect location for a settlement would be difficult to find. It is fervently to be hoped that tourism will augment rather than destroy the unique ambiance of Wuzhen.